This work was composed between 1972- 74 and was first performed by Danish pianist Amalie Malling. It remains one of the most frequently performed Danish piano works. The three character pieces are short, unified and differ a lot in relation to tempo, expression and movement technique. In the epilogue everything is gathered in a longer and more contrasted sequence. We are here dealing with an actual motif development resulting in a gradual atomization of the musical matter, leading to its stagnation in ever repeating figures before it flares up again in the end as a faint reflection of its former self.