Rune Glerup
fl dol, acc, vl
2-8 instr
B4, 21 pages


In this work one can clearly see Rune Glerup’s search for a direct, almost physical form of expression and it is precisely in this work that he seriously introduced the idea of “musical objects”. In the work he created a number of musical objects and composed with them until he finally reached the overall composition - which one again can see as a musical object. An important aspect of this kind of thinking is that the traditional linear conception of a work is replaced by a kind of non-linear time. With the disappearance of the linear, narrative is also taken away and musical tension therefore arises in another way – as a result of the friction between the musical objects.



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