John Frandsen (b. 1956)
John Frandsen was born in 1956 in Aalborg, Denmark. He graduated from the Institute of Musicology at the University of Aarhus in 1982 and from the Jutland Academy of Music, Aarhus with diplomas in church music in 1983 and in composition in 1985. Frandsen worked as a teacher at the music academies in Odense and Aarhus whilst at the same time attending to a number of posts as organist. He has also had lots of positions of trust such as - among others - chairman of the Music Committee branch of the Danish Arts Foundation between 1993 and 96 and since 1999 chairman of the Danish Composers Society and a member of the council of the Danish Performing Right Society.
John Frandsen has written a lot of vocal music: solo- as well as choral works. Within this genre his most important works are the Blake cycles Songs of Innocence (1984) and Songs of Experience (1991) for voice and guitar, Stabat Mater (1986) for tenor and organ, Seven Silly Songs for mezzo and guitar, Winternächte (1989) for mezzo and viola, Magnificat for double choir, Songs from the Realms of Anxiety (1992) for mezzo and organ and Fons Amoris for mixed choir.
The instrumental works are also predominantly characterized by the melodic element. This definitely applies to such early works as String Song (1980) for string quartet, the wind quintet Avers/Revers (1985) and Nature Morte (1986) for guitar solo. In his later works his harmonic gestures have become more broken and fragmented - not least in the symphony The Dance of the Demons and his String Quartet No. 2: Danse Macabre (1991).
Very often in John Frandsen's music is unravelled a play with old traditions and stylistic marks that convey an ambigious and equivocal characteristic to the musical expression. This applies to e.g. Variations on a Falling Star, which is based on the Disney tune When you wish upon a star.
John Frandsen has asserted himself significantly as a music dramatist. In May 1995 the music theatre "Undergrunden" (The Underground) performed his opera Amalie (based on the writings of Amalie Skram) for the first time; an opera which was restaged in the Spring of 1998 in a co-operation between Den Anden Opera (The Other Opera) and the Royal Theatre. A lot of the music from this opera forms part of the Amalie Suite for chamber orchestra. In 1997 the monodrama Dronning Boudicca (Queen Boudicca) with lyrics by Michael Hall also had its first performance. Moreover, 1998 onwards he carried out an opera trilogy based on Danish author Svend Åge Madsen's Tugt og Utugt i Mellemtiden (Vice and Virtue in the Middletime) in a collaboration with Aarhus Summer Opera and the director Kasper Holten. John Frandsen is also interested in the socalled "abstract" instrumental theatre; this shows in his Wind Quintet No. 2 De/cadences (1987) and Askefuglen (The Ash Bird) (1992) for choir and tape.